GRANADA TECHNICAL SPECS
STAGE:
Total Width: 47’ 8”
Usable Width (Proscenium Width): 31’ 6”
Depth: 18’
Clearance: 14’ 3”
Height from Dance Floor: 3’ 1”
PA:
(4) EP Systems 2x15”/2” Boxes Per Side, Flown 2x2
(6) EP Systems W-Bin Subs, Stacked 2x3 under top boxes
DSP: DBX DriveRack 260 (no guest access)
Amps: Crest 7301 (One Amp Per Top Box), Crest 9001 (Subs)
Snake: Whirlwind 42 Channel with 14 Returns, with standard split
AC:
100A 1ø Disconnect With Cams (for PA)
No guest AC access. All guest AC must be powered by generator.
FOH:
Location: On 10’ Wide x 1.5’ High Riser, 38’ From Downstage Center
Console: 48 Channel Crest V12 (40 Mono + 4 Stereo Channels)
EQ: Ashly GQX-3102 (Mains), Ashly GQX-3101 (Front Fill or User Assignable)
Inserts: (4) DBX 166XL Compressor/Limiter/Gate, DBX 1074 Quad Gate, Behringer MultiCom Quad Gate
FX: Yamaha REV 500, TC Electronic M-One XL, TC Electronic D-Two
Playback: Tascam CD Player
MONITORS:
Location: Stage Left, on Stage
Console: 32 Channel Yamaha PM2800M (8 Mix Buss plus 4 Aux and Stereo Buss)
Wedges: (10) McCauley SM12/1 Matched in L/R Pairs
Number of Mixes: 8
EQ: 8 Channels of Ashly Protea 4.24GS with remote
Amps: Crest CA 9 (lows), Crest CA 4 (highs)
Crossovers: Ashly XR-2001
MICS AND DIs:
(2) Audix D6
Audix D1
(3) Audix D2
Audix D4
(3) Audix Micro 1290
(3) Sennheiser e604
(7) Shure SM 57
(6) Shure SM 58
Shure Beta 57
Sennheiser e609
Sennheiser 421-II
Beyerdynamic M88TG
(2) Shure SM 81
(4) Proco Passive DIs
(2) Behringer Active DIs
(2) ART Passive DIs
Full compliment of stands and cables
LIGHTING:
Ecue lighting software
Conventional Lighting: 6 LED Par Cans Downstage, 4 Par 56s Upstage, 2 LED Par Cans On Sidestage w/Optional LED Cans on stage
Intelligent Lighting: 6 Movers
STAGE:
Total Width: 47’ 8”
Usable Width (Proscenium Width): 31’ 6”
Depth: 18’
Clearance: 14’ 3”
Height from Dance Floor: 3’ 1”
PA:
(4) EP Systems 2x15”/2” Boxes Per Side, Flown 2x2
(6) EP Systems W-Bin Subs, Stacked 2x3 under top boxes
DSP: DBX DriveRack 260 (no guest access)
Amps: Crest 7301 (One Amp Per Top Box), Crest 9001 (Subs)
Snake: Whirlwind 42 Channel with 14 Returns, with standard split
AC:
100A 1ø Disconnect With Cams (for PA)
No guest AC access. All guest AC must be powered by generator.
FOH:
Location: On 10’ Wide x 1.5’ High Riser, 38’ From Downstage Center
Console: 48 Channel Crest V12 (40 Mono + 4 Stereo Channels)
EQ: Ashly GQX-3102 (Mains), Ashly GQX-3101 (Front Fill or User Assignable)
Inserts: (4) DBX 166XL Compressor/Limiter/Gate, DBX 1074 Quad Gate, Behringer MultiCom Quad Gate
FX: Yamaha REV 500, TC Electronic M-One XL, TC Electronic D-Two
Playback: Tascam CD Player
MONITORS:
Location: Stage Left, on Stage
Console: 32 Channel Yamaha PM2800M (8 Mix Buss plus 4 Aux and Stereo Buss)
Wedges: (10) McCauley SM12/1 Matched in L/R Pairs
Number of Mixes: 8
EQ: 8 Channels of Ashly Protea 4.24GS with remote
Amps: Crest CA 9 (lows), Crest CA 4 (highs)
Crossovers: Ashly XR-2001
MICS AND DIs:
(2) Audix D6
Audix D1
(3) Audix D2
Audix D4
(3) Audix Micro 1290
(3) Sennheiser e604
(7) Shure SM 57
(6) Shure SM 58
Shure Beta 57
Sennheiser e609
Sennheiser 421-II
Beyerdynamic M88TG
(2) Shure SM 81
(4) Proco Passive DIs
(2) Behringer Active DIs
(2) ART Passive DIs
Full compliment of stands and cables
LIGHTING:
Ecue lighting software
Conventional Lighting: 6 LED Par Cans Downstage, 4 Par 56s Upstage, 2 LED Par Cans On Sidestage w/Optional LED Cans on stage
Intelligent Lighting: 6 Movers